The Charleston Museum, Heyward-Washington House & the Joseph Manigault House are OPEN. Last tour of the day at the historic houses begins at 4 PM.
EFFECTIVE JULY 1: Per Charleston City Council ordinance all persons are required to wear face coverings when entering buildings open to the public within the City limits. Masks must be worn while visiting The Charleston Museum and its historic houses. Thank you for your cooperation and for helping our community to slow the spread of COVID-19.
In City Under Siege, see the Museum’s newly renovated exhibit concerning Charleston’s role in the Civil War, featuring updated display panels and images, along with additional artifacts.
Secession
On December 20, 1860, South Carolina formally seceded from the United States of America and severed its ties with the Union. At St. Andrew’s Hall in Charleston that evening, delegates of the state’s Secession Convention drafted the Ordinance of Secession using this table and chairs. Convention president, D.F. Jamison, used the rococo style chair later at the official signing of the Ordinance at Institute Hall on Meeting Street.
The War Begins
The Civil War began in Charleston on April 12, 1861, with the first shots fired at Fort Sumter from nearby James Island. In the four years that followed, tumult, anxiety, and loss permeated the city.
Top left: Colt 1860 Army revolver. Lower left: Colt Model 1848 Dragoon revolver. Belonged to Pvt. John Happoldt, Co. B, 25th South Carolina. Right: Colt 1851 Navy revolver with relief carved ivory grips. Belonged to Capt. Cleland Kinloch Huger of the Rutledge Mounted Riflemen.
Distress and Destruction
City Under Siege examines this traumatic period in Charleston’s past and the impact it had on soldiers, both Federal and Confederate, and civilians, both free and enslaved.
Left: Saber (unmarked) c. 1855. Engraved for Capt. John Morris Wampler, topographical engineer and chief architect of Confederate batteries on Morris Island. Upper right: Effigy pipe fragment, c. 1863. Excavated from a former Union encampment site at the north end of Folly Beach, SC. Lower right: Officer’s sword (unmarked) c. 1860. Engraved for Capt. Charles E. Chichester, commander of the Zouave Cadets at Castle Pinckney and later chief of artillery at Battery Wagner.
The Wake of the War
On exhibit in City Under Siege are uniforms, weaponry, medical tools and equipment, and personal possessions owned by Charleston families during the conflict. Each tells a poignant story of the War’s dramatic effects.
Left: Uniform coat worn by Captain Thomas Pinckney of the 4th Regiment South Carolina Cavalry. (NOT ON PERMANENT EXHIBIT) Upper right: Uniform epaulettes worn by Capt. W.P. Appleby of Company G, 4th South Carolina Cavalry. Bottom right: Lap desk belonged to Stephen Dill Lee, Aidedecamp to General Pierre Beauregard.
In the Museum’s Armory, see excellent examples of historic weaponry, dating from 1750 to the twentieth century, with uses that ranged from military to more personal applications such as hunting and dueling.
In the Historic Textiles Gallery, the Museum features regularly rotating exhibits from its rich historic textiles and clothing collection, one of the finest in the southeastern United States.
In The Charleston Museum: The Early Days gallery, see exotic collections from around the world, representative of the Museum’s nineteenth century cosmopolitan collecting focus.
In the Lowcountry History Hall, see materials relating to the Native Americans who first inhabited the Lowcountry and the African American and European settlers who transformed the region into an agricultural empire.
In the Natural History gallery you will see an extraordinary array of birds, reptiles and mammals that have called the South Carolina Lowcountry home since prehistory, including contributions from noted naturalists.
The Charleston Museum is pleased to present Kidstory, a fun and exciting, hands-on exhibit for children, where the fascinating history of Charleston and the Lowcountry comes alive.
In the Loeblein Gallery of Charleston Silver discover the impressive work of the South’s finest craftsmen and women, from the colonial era through the Victorian Age.
